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Racism

I resisted the temptation to write about certain idiots goofing on people's misfortunes and his grief. It was a strong desire to write something, but I am and I remain convinced that everyone should be free to say what he wants, so I have changed his mind sull'allontanamento of this idiot on television. The opinion remains strongly negative, but we are in a free country, free also to have some idiots were charged with money of all fees.

I would rather talk about timing. Why do we want to entrust your timing 30 minutes of lessons on racism to Ahmadinejad the very day that Israel began the commemorations of the Holocaust. It takes timing to give him a stage so impressive to launch attacks not only to Israel but throughout the West that, you know, is deeply racist. And Italy and the West.

Italy is racist because I believe in respect for human rights, and why have them teach who hangs homosexuals, stones women, adulterers the rifle seems like a trivial thing.

Italy is racist because it is convinced that illegal immigration increases in violence and robbery, but despite this, it sucks away a cart of those desperate people who had the obligation Maltese has gallantly given up to rescue at sea.

Italy is racist because it does not tolerate that in the camps the children are beaten and forced to go begging at traffic lights or snatch the tourists out of the stations.

We are very racist, no doubt, but at least you save the sermon from coglionazzo. And you also save the sketch of the European ambassadors who leave the room in Geneva. But that news is Iran attacking Israel? We have to wait to do it with missiles to realize that Iranians are years that cartographers do not draw the Jewish state in their maps?

and we keep to give the world stage who hopes distuzione of the state and the cancellation of a people. And to give us lessons on racism, on individuals as well.

Well, good.

Ps: Obama has just done to reach out to this being. It is to be the case that if the withdrawals back?

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National Unity

We are also a nation of scoundrels, but luckily when we can be supportive and lend a hand to those who have nothing there to pull back some.

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Ps: Monday, April 6, 2009, at 18:04, the Chamber of Deputies. Fini took the floor: he asks that each of the parliamentary lines € 1000 for the earthquake victims. Followed by applause. I guess that's the minimum.

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STUDIES: Numbers 9:10

have released two new numbers in "book" of Lovecraftian Studies, revised aperiodic and critical study of the life and works of HP Lovecraft. In elegant illustrated volumes of about 100 pp. the one presented essays, articles, reviews, and unpublished documents, accompanied by Italy in the Dreamer in Providence. The

No 9 contains the third and final special on Lovecraft and the cinema. It opens with an interesting overview of the French critic Jean-Louis Letraut, which reveals for the first time curiosity, Lovecraftian implications and background of the film "Providence" by Alain Resnais! Among the other contained a long essay on the film from the story "The Colour Out of Space", two interviews - with director Stuart Gordon that we do not need any introduction, and one of the authors of the award winning film "The Call of Cthulhu" Sean Branney (the latter exclusively) - then extracts from unpublished letters of HPL himself, who reveals his taste in terms of mainstream cinema, a piece on the television series that have submitted Lovecraftian stories, and much more! The

No 10 (Winter 2009, pp. 104) offers full-bodied two essays, one on the Lovecraft story "The Crypt" (In the Vault), which analyzes the influences that have roots in ancient folklore and popular beliefs, the other on the tales of Lovecraftian Texan writer Robert E . Howard, who was a friend and correspondent of Lovecraft as well, to his peers, the tutelary deity of the legendary pulp magazine Weird Tales-. In "Notes Lovecraftian" are retraced five years of rock music inspired by the stories of the Master of Providence, and the American critic Peter Cannon documents the literary similarities between Melville's Moby Dick and the Dunwich Horror Lovecraft. Exclusive Italian collaboration is then translated fiction, da noi ancora inedita, tra HPL e Robert H. Barlow! Questo, e molto altro ancora, vi aspetta sulle pagine di Studi Lovecraftiani, le cui splendide copertine a colori si devono al nostro valido collaboratore Matteo Bocci , che ha anche una sua gallery personale su DeviantArt:

http://fatherstone.deviantart.com/gallery/

Di seguito il sommario in dettaglio dei due nuovi numeri:

STUDI LOVECRAFTIANI 9
SPECIALE LOVECRAFT AL CINEMA – libro terzo




Sommario:

- Lovecraft and the cinema of Jean-Louis Leutrat
- The Cinema of The Colout Out of Space, David Ross
- Lovecraft & Carpenter into the maw of madness, of Louis Musolino
- Filming the Infilmabile: Interview with Stuart Gordon edited by Joseph O'Brien
- Interview with Sean Branney, edited by Stefano Mazza
- the 'thing' on the edge: Teratology Lovecraftian elements in "The Host" by Luca Foffano
- The Film: Letters to Robert Bloch ,
of HP Lovecraft - Cthulhu Films, David Ross
- TV Lovecraft, Charles P.
Mitchell - Filmography Lovecraftian Tabbed by Stefano Mazza


Lovecraftian STUDIES 10




Summary:

- "The Crypt" by HP Lovecraft, Gianluca Stirpe
- Adventurers on the threshold of the Elsewhere: HP Lovecraft, RE Howard and the "Cthulhu Mythos, by Umberto Sisia
- Sacred Texts and Cosmogony: The Necronomicon primal myths and archetypal symbols, Renzo Giorgetti
- Notes Lovecraftian, Bruno
Gargano - "Call Whateley" Echoes of Moby Dick in The Dunwich Horror, Peter Cannon
- The Killing the Monster, by Robert H. Barlow & HP Lovecraft
- Reflections in the Temple of Bokrug, Umberto Sisia
- The Horror of Derleth, Robert M. Price



A number of studies Lovecraftian costs 10 € + shipping (2.50 € for postal mail, € 4 for registered mail).

requests (as well as information and applications) can be sent to the e-mail the editor:
studilovecraft@yahoo.it